The history of
radionics is the story of how various inventors designed devices that
employ directed intent to affect the real world. With these tools, they
promoted healing without pills or surgery, grew crops without
fertilizer, restrained insect predation without pesticides, and
performed a host of other seemingly impossible feats that defy
mechanistic science.
THE
SECRET ART: A Brief History of Radionic Technology for the
Creative Individual traces this astonishing process
beginning with
early art designs suggestive of radionic intent. For many prehistoric
and indigenous peoples, art was also a means of interacting with Nature
to enhance healing, increase crop yields, and enable visionary
experiences. Coincidentally, radionic inventors discovered by trial and
error that even drawings and bizarre technology could function
radionically. This discovery followed a long process of design
innovation that started with mechanical devices, proceeded through a
generation of electronic instruments, and most recently has been
applied to computer and software technology. Conceivably, the theory
and techniques outlined in this book could provide artists with a
revolutionary approach to the creative process that is at once both new
and timeless. A potential exists today for radionic ideas to empower
creative individuals to develop skills in working with Nature that
achieve profound real world results.
CONTENTS
Introduction
01 Ancient
Radionics
02 Defining Radionics in
Art
03 The Origins of Radionics in
Dowsing
04 Science and Scientism
05 The Divided Legacy of
Medicine
06 The Father of
Radionics
07 The Oscilloclast
08 Inside Dr. Abrams’
Clinic
09 Psychical Physics
10 From Agricultural Radionics to Prehistoric
Art
11 Prana, Kundalini, and Occult
Technology
12 Radionics: Occult or
Electronic?
13 Ruth Drown
14 Profiles in British
Radionics
15 George and Majorie De La
Warr
16 T. Galen
Hieronymus
17 Radionics Meets Popular
Culture
18 Agricultural Radionics
Today
19 Radionic Photography
Today
20 From Computerized Radionics to Radionics Without
Devices
21 Radionic/Art Overlay: A Personal Note
Afterword
Acknowledgments
Sources
Illustration Credits
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About
the author...
DUNCAN LAURIE has
undergraduate and graduate degrees in art from the University of
Pennsylvania. From the mid 1970s to the early 2000s he produced
architectural glass design commissions for a wide variety of
individuals and businesses while living in New York City and Jamestown,
Rhode Island. His clients include Blackrock Financial Management, 9
West, Milbank Tweed Hadley & McCloy, Citicorp Executive Center,
Anne Klein II, Electra Records, Estée Lauder, Readers Digest Fund,
Lincoln Square N.Y.C., Sky Tokyo, United Overseas Bank Singapore, Lane
Crawford Stores, Ratheon Corporation, Capital Cities ABC, and many
other individuals and companies throughout the world. In 1980 the late
Richard J. Reynolds III introduced Laurie to the world of alternative
technology and inventors. Thus began a learning curve whereby the world
of art and subtle energy technology slowly began to reveal their
commonalities of function and purpose.
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